Caught by Lisa
Moore is a slim novel that tells a big story. This is the same author who wrote
February, the 2013 winner of Canada Reads.
Moore
has a way with words, able to capture a character in a gesture or defining
moment. Slaney, the escaped convict, eating cookies from his mother’s cookie tin. Patterson
wearing shirts' sizes he has long since outgrown. Ada poking someone into a
corner.
The
word caught repeats itself as a motif, like a musical round or a tide. Everyone
is caught, to some extent, in this fast-paced story about drug-running and
smuggling set in the late 70's.
What
I personally loved were Moore's descriptions of boats and sailing, which quickly evoked sensory moments that sucked me into the story and made me participate in the
moment:
"They
should have been going ten knots at most and there were times they were going
twelve. The wind was thirty knots and it felt like it might tear them asunder.
They loved it. It terrified them. All the wave-sparkle and the crashing down.
The knocking from side to side..." (p.212)
"The mast in silhouette, a needle swaying
gently like a metronome. And the soldiers lounging on the deck, black against
the orange and azure sky." (p 257)
What
also struck me was the ending, so much like a beginning. It made me
think of other recent novels I've read over the summer, with endings that finish
as openings. Especially Mantel's closing lines in Bring Up the Bodies,
"There are no endings. If you think so you are deceived as to their
nature. They are all beginnings. Here is one."
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