Luckily, the Toronto production featured Gavin Creel in one of the lead roles. He won the 2014 Laurence Olivier Award for originating the role of Elder Price at the Prince of Wales Theatre in the London original.
Brought to you by the creative minds of South Park, this play is definitely irreverent. Laughing and being horrified at the same time is a curious emotional mix. The first half was hilarious, the second half continued the profanity and then inserted a bit of philosophy and wrapped everything up with a quazi-moral to the story. I interpreted it as, believing is a leap of faith, and sometimes the end does justify the means.
The play didn't just insult Mormons. It insulted everyone, including homosexuals, Jews, Muslims, and Africans. Politically correct, it was not. Here's a sample tune: Turn It Off.
Nine Tony Awards, 4 Olivier Awards, and the acclaim keeps coming, with rave reviews wherever it runs. The producers didn't even bother to invite Toronto critics to the latest city staging, but that didn't stop the Globe and Mail from weighing in with a positive review.
Apparently the Church sees it as a good marketing opportunity:
Instead of complaining about a musical show that pokes fun at their religion, the Church of Latter Day Saints has chosen to capture the moment by launching a marketing campaign of their own... Whoever is advising the Mormon Church on their public relations and advertising strategy should take a bow. It would have been so easy to whip up a storm around the musical. The Mormons could have had all the publicity they wanted: demos, protests, questions in the House. But that would have been the wrong sort of publicity. The Independent (London)